This film is one of my favourites, and like all war films, contains a bit of 'srtistic license' and is less than satisfactory from a tactical and strategig POV. Even so, I have watched it many, many times... always hoping that the cowardly Upham might at last get his inger out and DO something! He never does, and never will I'm afraid, just as King Harold will never win at Hastings...
As someone said, it IS a film. The most spectacular and historically accurate parts are in thr opening scene. All the words said on that beach, in that scene, were really said - including, I'm afraid "don't shoot - let 'em burn!"
The final battle was well done IMO, but does contain some absurdities and anomalies. Overall however, the emotional and 'personal' scenes were well researched and well presented - even the dramatic 'faling down wall' was based on a historical incident I expect - this film was very thoriughly researched, and not overly sentimentalised AFAIK.
Wade's tragic death was based on many incidents that occured (both in WW1 and WW2), where overdoses of morphine were administered with terrible reluctance to ease the passing of those mortally wounded. Wade himself knows, in fact asks to be put out of his misery, as no doubt many did. He cries out for his mother, as dying men have done since we first started fighting battles - no matter how brave, this is the first person we ever see, and the last we call out for.
I have never associated 'stemboat wilhelm' with the charachters at the end, I'm sure this is a mistake? Upham's cowardly esecution of the SS soldier at the end is dur to his shame, nothing more. Upham is intriguing, he is the most sensitive and intelligent character in the film, even the most decent - until the ens. He gets bullied, he isn't able to cope... what happens to him after the war? I'd guess he becomes a bad salesman, estate agent or unsuccessful writer, and drinks himself to death in the arly 1960's...
The only other survivor (save Ryan) is the most hard nosed, cynical and brutal fellow in the company, who no doubt ends up as a gangster and comes to a sticky end. There is an element of 'moralism' in the film, which I'm not quite comfortable with. All who show signs of sensitivity or humanity die soon, the toughest veterans last longest. That's peobably the way it was - I wasn't there thankfully.
I was glad to see that Mellish, a most unpleasant fellow IMO, was the antidite to the usual type of hand wringing Jewidh fellows you see in such films. There was a prototypr Israeli, vengeful, uncompromising and pretty unloveable - my eye did not water at his end, I have to say. It was refreshing to see the SS man 'helping' him to pass from this wotld in a way...
His earlier crackup was the only sign of emotion - I think the Hitler Youth dagger and his comment was to do with 'Strength through Joy' inscribed on it... maybe I am being unsympathetic to the man? Miller's reaction to seeing his men shooting enemies who were trying to surrender, i.e., turning a bind eye, is important and understandable. This happened a lot during this campaign, on both sides. Emotions were high, with good reason.
I must confess, I was a bit unconvinced as the capibility of a greasy suck with respect to blowing wheels off a Tiger would work in practice? And, quite correct whoever it was that pointed out the maximum elevation of the gun which saw off Jackson and Parker...
Jackson intrigues me most of all really. The perfect soldier in so many ways... but why didn't he put a slug down that gaping 75mm barrel? And as for that single 20mm... the 'military' unrealities of the film are plentiful - even I can tell a Tiger chassis from a T34! Yet O still love the film....
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